These are the final pictures of the 2 quilts which led to the many posts over the last two months. These first 2 pictures were sent to me by my client, showing her quilt installed and hanging in it’s new home. She’s happy with it, her interior decorator is happy and I’m happy. The kind of happy ending. I love, when it all comes together.
A quick note, as I promised in the last post about threadpainting, I will give a few tips for shading your thread painting.
Here’s some quick things to keep in mind. Decide which direction the sunlight is coming from. Then the shadows will be on the backside and undersides of everything. They will need to be darker by at least several shades on the color wheel. This will probably be dictated by the thread you have. You’ll start to look for shades in gradient colors next time you thread shop. You’ll want a light, medium and dark shade for many colors you use a lot.
Maderia Rayon 30 wt. is my favorite by far, the colors are bright, intense and stand out or show up beautifully. I can’t explain why they look so much better, but they do, other 30 weights don’t show as distinctly. They melt into a fabric more, and if you are quilting an heirloom quilt this is a plus, silk for example is wonderful for that. But on an art quilt, bold color is usually what you want,
The Maderia 30 wt is good for thread painting, is strong, holds up, and doesn’t break all the time, like many others. You’ll need to use a 90 embroidery needle and get the tension right first, but with those things in mind you are ready. Maderia has zillions of colors too.
Frieda Anderson caries some of it on her web site, she uses it on her quilts. Frieda was the reason I first tried it. Her quilts radiate wonderful brilliant color [I love them so] so the thread needs to hold it’s own with that kind of “competition” so to speak.[ Her interview is in my archives and website as well.]
The shading is achieved by using 2 or 3 threads. On a plant with the sun shining from the left direction, there would first be a light edge on the side the sun is shining from, don’t just stitch up and down the stalk.
Notice also, the way the direction of the stitches, side to side with a slight roundness to give the illusion of a round stem. Kind of like a very flattened U. Then there is a medium shade in the center of the stem, again rounded. Finally your darkest shade on the right side, rounded too. See how the illusion of depth is created?
A few tips, start your thread painting with the medium shade so it will be covered a bit with the overlap of the 2 other colors. Then apply the light and dark shades. You want to made it appear blended.
Tip-2 you can use 2 colors instead of 3, if need be, it will create the same illusion.
tip 3-be more observant of what you see around you, take note of what you see. Notice the play of light on objects, how it looks and changes with the time of day. Notice how the shape of the shading on different objects effect the way they look. Notice these things more and try to apply them.
tip 4-rounded flattened U shapes create roundness on object. Also if thread painting an apple, the edges will be darker shaded, especially on the very edge and gradient change color getting lighter
as you get closer to the the center. The center area should be the lightest colored, maybe a little sized area like a ball or so. Or a few slightly rounded vertical lines, dark color recedes, light colors seems closer. So a rounded shape results, voila! Now if one side is in more in the shade, make your dark side extent closer the the center, rounding it, remember? This is where you observations of how light looks as it plays on different objects, is going help you.
You may notice how light and shadow may create shapes of white, like rounded rectangles with one side slightly shorter, to imitate light play on a ball, the edges will be darkest, gradually changing color lighter and lighter, until you reach the center, where the lightest color should be. Shapes may emerge from the play of light and shadow, perhaps the shade will look like jagged
edges towards the center, that have that sort of rounded U shape.
4- the underside will be darker, as on leaves and so on. They will often cast a shadow of their own. So makes the area under them a little darker too.I hope that you can see this on the above sunflower, it adds realism and life. The images are no longer just flat lifeless objects, but have depth.
5- Try these exercises with water color paints first, to get the feel of blending and shading light on objests.This is going to shock you, what a difference it makes and you did it!
It will be easier and blend better, to create the way things actually look. Do that a lot, it will improve your abilities a gigantic amount, please believe me, You’re thread painting aren’t you? So try the painting part first.
So that is the end of my little series of tutorials on threadpainting.
Published by Barbara Harms Fiber Art & MoreBarbara Harms Fiber Art
About Myself & My Approach
I come from a family filled with many artists.s always played a role in my life, in one form or another.
By my teens, I had narrowed my focus to painting.I decided I was going to become a serious painter. I joined the Las Vegas Artist's Guild, at 15, the youngest member at that time.
I was totally out of my league, a kid among so many serious adult artists. But to be there, exposed to art in that way was quite an experience. I was enraptured, soaking up. I tried to go unnoticed, just a fly on the wall, mute, a big ole smile plastered on my face. soaking it all up. I tryed to go unnoticed; a mute teenager, eyes wide opened and a huge smile plastered across my face. I’m pretty I was noticed, a mute kid with an enraptured look on my face.
I've continued to paint throughout my life. On occasion I've sold my work, but I had more important priorities, one being raising my wonderful children.
My circumstances have changed, the kids grown, I had more time and Art was like theorpy for me.
I was introduced to the world of quilting & fell in love.
I did miss the creative freedom painting afforded.
Then I discovered mixed media fiber art, I was home.
MY APPROACH TO ART
It's the creative process that holds the greatest attraction for me. Starting with a tiny seed of an idea; vague and blurred around the edges, I follow where that leads.
My approach is an instinctual one. Generally, I do little pre-planning.
themselves, my appproacj response js an instinctual one.
This approach can lead to quite a few changes in the direction the quilt takes. The outcome can come as a surprise. I love that element of surprise!
Sometimes everything just comes together & I think this is one of my better ones. I can’t wait to show someone. I feel like a six year old, running home from school, a drawing in hand, excited to show Mom. At those times. I'm smiling like the Cheshire cat.
I’ve had work published in several magazines., which is gratifingvl. But the most gratifying thing is having clients be really happy with their purchased quilt.
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