Some help with shading on your thead painting & two quilts finished

Art_Quilt_11-11 — A photo my client sent of the quilt hanging in her lovely home

These are the final pictures of the 2 quilts which led to the many posts over the last two months. These first 2 pictures were sent to me by my client, showing her quilt installed and hanging in it’s new home. She’s happy with it, her interior decorator is happy and I’m happy. The kind of happy ending. I love, when it all comes together.

Art_Quilt_2__11-11 — Another photo that my client sent of her finished art

The second quilt/ it measures 53" X 34".

The sun is representational only, of the sun's warmth and light on a summer day.You can see the color reflected on the faces of the sunflowers

A quick note, as I promised in the last post about thread painting, I will give a few tips for shading your thread painting.

Here’s some quick things to keep in mind. Decide which direction the sunlight is coming from. Then the shadows will be on the backside and undersides of everything. They will need to be darker by at least several shades on the color wheel. This will probably be dictated by the thread you have. You’ll start to look for shades in gradient colors next time you thread shop. You’ll want a light, medium and dark shade for many colors you use a lot.

Maderia Rayon 30 wt. is my favorite by far, the colors are bright, intense and stand out or show up beautifully. I can’t explain why they look so much better, but they do, other 30 weights don’t show as distinctly. They melt into a fabric more, and if you are quilting an heirloom quilt this is a plus, silk for example is wonderful for that. But on an art quilt, bold color is usually what you want,

The Maderia 30 wt is good for thread painting, is strong, holds up, and doesn’t break all the time, like many others. You’ll need to use a 90 embroidery needle and get the tension right first, but with those things in mind you are ready. Maderia has zillions of colors too.

Frieda Anderson caries some of it on her web site, she uses it on her quilts. Frieda was the reason I first tried it. Her quilts radiate wonderful brilliant color [I love them so] so the thread needs to hold it’s own with that kind of “competition” so to speak.[ Her interview is in my archives and website as well.]

The shading is achieved by using 2 or 3 threads. On a plant with the sun shining from the left direction, there would first be a light edge on the side the sun is shining from, don’t just stitch up and down the stalk.

Notice the direction that the sun is shining from, use these observations in your work.

Notice also, the way the direction of the stitches, side to side with a slight roundness to give the illusion of a round stem. Kind of like a very flattened U. Then there is a medium shade in the center of the stem, again rounded. Finally your darkest shade on the right side, rounded too. See how the illusion of depth is created?

A few tips, start your thread painting with the medium shade so it will be covered a bit with the overlap of the 2 other colors. Then apply the light and dark shades. You want to made it appear blended.

Tip-2 you can use 2 colors instead of 3, if need be, it will create the same illusion.

tip 3-be more observant of what you see around you, take note of what you see. Notice the play of light on objects, how it looks and changes with the time of day. Notice how the shape of the shading on different objects effect the way they look. Notice these things more and try to apply them.

tip 4-rounded flattened U shapes create roundness on object. Also if thread painting an apple, the edges will be darker shaded, especially on the very edge and gradient change color getting lighter

as you get closer to the the center. The center area should be the lightest colored, maybe a little sized area like a ball or so. Or a few slightly rounded vertical lines, dark color recedes, light colors seems closer. So a rounded shape results, voila! Now if one side is in more in the shade, make your dark side extent closer the the center, rounding it, remember? This is where you observations of how light looks as it plays on different objects, is going help you.

You may notice how light and shadow may create shapes of white, like rounded rectangles with one side slightly shorter, to imitate light play on a ball, the edges will be darkest, gradually changing color lighter and lighter, until you reach the center, where the lightest color should be. Shapes may emerge from the play of light and shadow, perhaps the shade will look like jagged

edges towards the center, that have that sort of rounded U shape.

4- the underside will be darker, as on leaves and so on. They will often cast a shadow of their own. So makes the area under them a little darker too.I hope that you can see this on the above sunflower, it adds realism and life. The images are no longer just flat lifeless objects, but have depth.

5- Try these exercises with water color paints first, to get the feel of blending and shading light on objests.This is going to shock you, what a difference it makes and you did it!

It will be easier and blend better, to create the way things actually look. Do that a lot, it will improve your abilities a gigantic amount, please believe me, You’re thread painting aren’t you? So try the painting part first.

So that is the end of my little series of tutorials on threadpainting.

6 replies to “Some help with shading on your thead painting & two quilts finished”

cyndy kopitsky (birdlady) says:

January 31, 2012 at 7:20 am

I need to share a brief story with all the followers of this amazing artist! Our relationship started in the fall of 2010 when I found Barb on ETSY. She was willing to dream with me, plan with me, and together I KNEW a master art would be in the works. My life went into craziness and tragedy yet, this secret angel stood by me, offering prayer and words of love from her heart and God’s word. And she never stopped our planning and dreaming, even though her schedule was way way too filled with hands on creations…yet…she continued…One day, more than one year later…I said, let us change the plan, go brighter and bigger! Did she ever say no to me??? Absolutely never! And now…with much of this story shortened…her amazing art is in transit towards my hands. I am so excited. I hhope we never loose touch because this woman has been a ray of light and hope to me. And I love her artistic heart and hands.
Thank you Barb, for your friendship!!! You are loved.

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1. Barbara Harms Fiber Art says:
  
  January 31, 2012 at 12:44 pm
  
  Cyndy,
  How can I ever live up to all your wonderful praise? You have been a joy to work with and I know you have had so many obstacles and set backs this past year, yet you have kept your sweet and sunny disposition, through it all. We certainly will stay in touch. Friendships have been formed which will last, that I am sure of.
  Barb
  
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granbee says:

January 27, 2012 at 12:36 pm

I can scarcely breath to remain conscious to type this comment, dear quilter! You have completely taken my breath with these incredibly photos of these two original quilted works of art. The sun and the moon both shine on my head at once right now.

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1. Barbara Harms Fiber Art says:
  
  January 27, 2012 at 12:40 pm
  
  Granbee, you are always so generous in your comments. Thanks you so much.
  Barb
  
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2. cyndy says:
  
  January 27, 2012 at 12:54 pm
  
  My words exactly!!!! And you know what???? I am blessed with the ownership of one of these amazing quilts!!! OMG!
  I am speachless
  
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  1. Barbara Harms Fiber Art says:
    
    January 28, 2012 at 10:32 am
    
    Cyndy, My little bird lady, Thanks many times over!Sorry I missed replying to your comment. I’ve been working on the final details for you quilt and spaced evrtything.
    Barb
    
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barbaraharmsfiberartgalleries Stayin inside, disinfecting door knobs loses its appeal pretty quick. I wish I were Travelin.

Nature Gallery

This gallery contains samples, an overview of some of my work which features different aspects of the natural world. The subject matter ranges from floral to landscape to birds and living creatures.

Barbara Harms Fiber Art & More

About Myself & My Approach I come from a family filled with many artists. I apparently inherited the family "art gene". Art has always played a role in my life, in one form or another. By my teens, I had narrowed my focus to painting. I'd won some ribbons in shows I'd entered. Encouraged, I decided I was going to become a serious painter. I joined the Las Vegas Artist's Guild, at 15 the youngest member at that time. I was totally out of my league, a kid among so many serious adults, professional artists. But to be there, hearing and being exposed to art in that way was quite an experience. I was enraptured, soaking up all the art I could absorb. I tried to go unnoticed, just a fly on the wall, mute, soaking it all up. I'm pretty sure I was noticed; a mute teenager, eyes opened wide and a large smile plastered across my face. That was the "glorious" beginnings of my life as an artist! I've continued to paint throughout my life. On occasion I've sold some of my work, but I had more important priorities then, one being raising my wonderful children. My circumstances have changed, the kids grown, some of them raising their own children. After a move to Oregon, some years ago, I was introduced to the world of quilting. The beautiful colors and the free motion quilting itself, drew me in. As much as I love quilting, I began to miss the creative freedom painting afforded. I became passionate about it. However to create a quilt there are some necessary steps that have to be followed, this obviously restricts some of the creative choices. I began to miss the creative freedom possible with painting. Since there are only so many hours in a day and I had other important things going on in my life, I had to focus my interests. When I discovered mixed media art quilting, it was a great fit. The combination of quilting techniques with painting and other art skills opened new creative directions to explore. I was home! It's the creative process that holds the greatest attraction for me. Starting with a tiny seed of an idea; vague and blurred around the edges, I follow where that leads. Then I follow where it leads. My approach is an instinctual one. Generally, I do little pre-planning. Creative choices are made as they present themselves, my choices response js an instinctual one aninstintual . on based on my gut feeling. This approach can lead to quite a few changes in the direction the quilt takes. The outcome can come as a surprise. I love that element of surprise! Sometimes everything just comes together & I think that this is one of my better ones. I can’t wait to show someone. I feel like a six year old, running home from school, a drawing in hand, excited to show Mom. At those times. I'm smiling like the Cheshire cat. Some magazines my work has ap Co peared in Word press Etsy shop-sales Https://barbaraharms.com Contact: inquiry Personal Links kool