A Whole Lot Of Flowers!

Holly hocks thread painted and ready tp applique

I’ve started a new commissioned art quilt. It features red hollyhocks, which makes me pretty happy!ย  I must confess that making a quilt with lots of flowers is one of my favorite things to do. I’m already making some headway. Due to a large amount of detailed thread painting that needs to o be done on a rather large quilt, this will take a lot of labor and time to complete. No complaints there, I love doing what I do.

The first step involved thread painting all my holly hocks, which I’ll cut out and applique to the backdrop that I’ve already painted.. The quilt will be a large size, so that means I’ll need lots and lots of hollyhocks. I don’t want to skimp on the amount, I want my stems to be full of flowers.

On a quilt that size, making so many has been a long process. Each one takes quite a while to complete. Each one is an individual and slightly different from all the others. They are after all, going to be the star of this quilt. All the focus will be on my hollyhocks, so no cookie cutter holly hocks allowed!

I give some thought to every flower before I begin it. I think that if I rushed from one to the next, in a great hurry, they’d end up beingย  duplicates. Little clones of each other.

What I found in making these little babies was. if I wanted each one to be a individual,ย  I needed a bigย  variety in the shades of red to give characterย  to each flower.

Thusย  began the great “red thread quest’ I was on a mission, find the shades of red I wanted and needed. You may not have realized this, but red colors can vary greatly and still be considered “red”.

There are blue based reds, then there are orange based reds and and a lot of ground inbetween. I wanted several different orange based reds, with out their being an actual orange. I needed a colors starting withย  dark, then lid shade and finally light.

It’s funny, that with each new project you begin, no matter how many spools of thread, or amounts of fabric that you own, there will always be at least one or more necessary colors that you don’t have, but you must have for the integrity of the design . I repeat this unbelievable truth, there will always be at least one missing color. Ask a few quilters or seamstresses you know, they’ll say the same. You begin scouring the fabric stores and buying yet more fabric or thread.

I have a massive stock of thread, I do a lot of thread painting and need it.

When I say that I have a massive stock of thread,ย  I think there is no way to envision it, so I must provide a visual aid, to preserve my creditability.ย  So expect pictures, these are not my complete stash, but I just got sick of photographing it all.

I can’t fathom that out of my entire collection of thread, massive as it is, I couldn’t find the exact shades of red that I wanted…

I’ll give you a tiny look at some of the finished hollyhocks,ย  There are many more. Now I invite you to just wander through the photos and be amazed at the impossibility of a missing shade out all of this!

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Holly hocks thread painted and ready tp applique

ย A little trimming around the edges and they’re ready to go.

THREAD PAINTED HOLLYHOCK 1

Holly Hock

 

 

 

 

 

Drawers of thread used for art quilts

 

 

 

 

Blue cones of thread for art quiltsRed thread used in art quiltingART quilting threadsLoyts of thread for threadpainting fiber artthread cshelf with variety for making art quilts

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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DO YOU BELIEVE ME NOW?

Oh please, do come andย  check out my new website, http:barbaraharmsfiberart.com.ย 

This blog will be connected there,ย  I have a storeย  and a portfolio is included. so you can see it all in one location if you like.

 

Published by Barbara Harms Fiber Art

About Myself & My Approach Art has always played a role in my life, in one form or another. by my teens I had narrowed my focus to painting. I decided I was going to become a serious painter. I joined the Las Vegas Artist's Guild at 15, the youngest member at that time. I was completely out of place, I tried to go unnoticed, a mute fly on the wall, with a big smile pasted on my face. I've continued to paint most of my life. After a move to Oregon years later, I was introduced to quilting and fell in love. I was introduced to quilting & fell in love. In time I missed the creative freedom painting made possible. Then I discovered mixed media fiber art, I was home. MY APPROACH TO ART It's the creative process that holds the greatest attraction for me. Starting with a tiny seed of an idea; vague and blurred around the edges, I follow where that leads. There are often many changes and adjustments along the way. The result can often be surprizing. My approach is an instinctual one. Generally, I do little pre-planning. I make creative decisions, choices, directions as they present themselves. This approach can lead to quite a few changes in the direction. I love that element of surprize! Sometimes I have one that I especially like, I can't wait to show someone. At that moment l feel like a six year old, running home from school, a drawing in hand, excited to show Mom. At those times. I'm smiling like the Cheshire cat. Iโ€™ve had some of my work published in several magazines. which is exciting. But the most gratifying thing is having clients be really happy with their purchased art quilt. Word press https://barbaraharmsfiberart.com Etsy shop-sales https://barbaraharms.com Contact: inquiry barbaraharmsfiberart@icloud.com.com Personal Links

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