One More Try

As I mentioned in my earlier post, I am disturbed by the dismal photographic results of my quilt, my  Rain Forest Canopy. It turned out so well. It was pretty. I was pleased at the results, that is until I saw the photos. How could an attractive quilt look so unattractive in photos of it? I’m frustrated because it

is a cool quilt, interesting, great colors  pretty, such dazzling glittery threads. but you sure  can’t tell from the photos. I have taken a few more photos and done a few tweaks. It hasI thought this one was a cool looking quilt, [ No false modesty here, ha,]  but if i don’t like the quilts I am making, why would I expect anyone else to? If I can’t offer work that I’m proud of, why bother at all?

If I sound like I’m patting myself on the back a wee bit too much, sorry, I can think of no other way to convey the difference between the actual quilt and the  picture of the quilt. I made a list

I’ll describe what I think are it’s best points, that photos don’t show very well. 

Here’s my list:

#1-The color, love those blues and orange reds together, a classic great combo.  

#2-The design. The design is obviously an abstract,. I realize that abstracts aren’t everyone’s cup of

tea, but I love them. I think it turned out to be a cool abstract.

#3- I love the threads I used, for my abstract quilting, The way they made my  quilting pop. they are some of the best I’ve found, what a difference good thread makes.These show with a rich, saturated appearance.

There is a lot more I would like to say here about thread, but my posts are already to long. So I’ll save that

for another post in a few days, come back then, if you’e like some thread insight from a fiber

artist, I’ve used many different threads, kinds and brands, I’ve have found my favorites and will share that, as well as why I personally feel that way.

So check back in a few days. 


Rain Forest Canopy

Rain Forest

Rain Foreat Canapy

Rain Forest Canaoy

Rain Forest quilt center

Rain Forest Canopy

Rain Forest Canap


Rain Forest Canopy

Fabric or Silk Painting-the #1 complaint

Fabric Painting


I’ve noticed that lately, there are a lot of people who are interested in fabric & silk painting. I do a considerable amount of fabric painting , especially silk painting in creating  my art quilts.  I’ve learned fabric painting pretty much by trial and error. And although I did have the advantage of being a watercolorist, that was different in many ways from painting on fabric. I’m going to share a few tips that I learned.

I would say that I use Pueblo Seta transparent paints the most frequently.  But I’ll mix and match brands as need be.  As long as they’re acrylic paint made for fabric painting,  you can mix them with other brands with no problems.

Painting on fabric  is similar to working with watercolors with one big exception. The paints will bleed onto the surrounding fabric, even when the fabric is dry. This can be controlled by applying lines of gutta resist to contain the paint in the one area.  Call me lazy, but I don’t like the bother of that. I just want to paint.

The color bleeding seems to be one of the biggest complaints  for persons just starting out. So if you don’t want to apply gutta resists, what can you do?

#1-undiluted, #2-diluted with water, #3-with thickener

In a word Pebleo Setacolor Thickener! This is a wonderful product. When I want to do  more precise painting, I thicken the paint with this product & it  gives me more control. As the name implys, it thickens the paint and thickened paint does not bleed and run as much.

If you want that watercolor effect with everything running and blending together, dilute the paint with water & apply to wet fabric.. You can spray more water to add effect and lean you board with the fabric attached to it to run the paints and blend in certain directions. Just experiment and have fun.

This is a great product!

Another option is to individually paint the important elements of your quilt design, let them dry and cut out the offending bleeding areas. Then use raw edge applique, to apply to the background fabric. It is fairly labor intensive for sure, but it does deal with the bleeding problem to some extent.  I feel that it also makes a more  interesting quilt. I use this method on many of my quilts, just because I like the way it looks.

So try the Pebeo thickener and see what you think.

I just read about a product that I can’t wait to try.  It’s called Daler-Rowney FW Acrylic Water-Resistant Artists Ink. It is applied like fabric paint, but it doesn’t bleed into the surrounding dry fabric. Yet if applied to wet fabric it will blend, allowing shading and so forth.

There are plenty of colors to choose from 38 in all. They are intermixable. I’m assuming the colors right out of the bottle will be very vibrant.

If you want to create  subtler colors and varying tones you can do so by diluting them. They can be diluted as much as you want, for lighter colors & a consistency  more like a watercolor. You can do washes with them as you would with watercolor, and add additional  layers of color.

You heat set with your iron.

I’ve ordered some and can’t wait til they arrive. I’m itching to “play” with them, and see if they’re as good as they sound. I’ll let you know how they work out.